Such A Voice Coach/Producer Steven Wahlberg books a narration job for this years golf course for the US Open!
By: Steven Wahlberg
I received an audition request from Voice123.com for a project that required a narrator to voice copy that would be running underneath a video of aerial shots of a golf course where the US Open is being played this year. After receiving some positive feedback on my audition, I was informed that the client had selected someone else for the job but that they liked my voice enough to consider me for future projects. I’ve only heard that about a gazillion times before so I really didn’t think any more about it. Well, about a month later I received an e-mail from the agency that produced the previous golf video asking if I would be interested in reading a few scripts that outlined the rules of golf for a DVD. I agreed and was fortunate to be hired on the spot. This was the outcome!
It is always a pleasure and gives us a great sense of pride when we hear about the professional advances our students have made. We recently asked Susie some questions to let us know a little more about her success:
Q: What inspired you to want to get into voiceovers?
A: I was a big fan as a kid of programs like You Are There, Victory at Sea, etc. I loved Alexander Scourby’s voice and thought he had the very best job in the world. When I started college at the University of Michigan in 1968, I planned on studying theatre and I wanted to learn how to be a voiceover talent—but the times being what they were, I was actively discouraged by my advisors. “Now, dearie, that’s a MAN’s job and a UNION job and your eventual husband won’t want you to travel that much.” My own feminism hadn’t blossomed yet so I meekly accepted their opinions as truth. Many years later (like about five years ago), I was chatting with a friend who is a very experienced sound engineer with a theatrical background like mine. I said I’d always wanted to record and that I loved audiobooks. Next thing I knew, he and I were recording public domain material and trying to market it on CDs. Not so successfully, I fear—too many costs, too many CDs rolling around, but we got a nibble from a company that was licensing such works online and we started selling our works through this site. Then Audible.com came along and, whoopee! We were audiobook artists, but I still had the voiceover bug.
Q: Who was your instructor at Such A Voice & what about that person made them a good fit for you?
A: Nick Kaiser was my instructor and we hit it off immediately! We had a lot of common experiences, being of the same generation and our personalities just meshed. Nick told me that my theatrical background meant that I already had a head start on a lot of voiceover hopefuls and encouraged me—for the first time in my life!!—to release my inner ham and have fun with VO. He also was a strong force against the old voices from my past and kept gently urging me on, letting me know I could do this and finally live my dream. He’s my best cheerleader!
Q: What do you see as your own VO strengths and why you will continue to succeed at this?
A: I love, love, love narration and will continue to seek out audiobook opportunities. I’ve got a million accents and characters in my repertoire, all just waiting to bust out. I’ve also learned that I enjoy commercial work—my first VO job, which kind of walked into my office while I was still getting coaching from Nick, was a website promo for a machine vision company so I got my feet wet early. Since then, I’ve done audio for some physical therapy videos produced by a young friend and have a monthly gig with an English as a Second Language testing company. All of this was just from personal contact and a little bit of networking. Then I landed my first job through Voice 123, using only my narration demo. It’s the first one that came my way through an audition, using the wonderful demos produced by Tom Force (the Michigan radio maestro) and Marshall Block (a great engineer with a rock and roll history that is nothing short of incredible). The client is in Montpellier, France.
Q: What did you take away from Such A Voice that will be the most beneficial to your career?
A: Confidence, confidence, confidence. I always thought I had a good voice but Nick, Tom and Marshall told me I had a GREAT voice so I’m feeling that there’s nothing in the VO area I can’t try. I’m not as swift with recording myself but I’m trying hard and I have some wonderful friends who are helping me. I learned that there are people who love to help you achieve whatever you dream of and I’d like to pass that along to other people like me.
Q: What advice would you give to aspiring voice talent?
A: My best advice is don’t let anybody tell you that you can’t do it! If you’ve got a voice, get good training (there’s this company called Such A Voice that I can’t say enough good things about!) and practice, practice, practice. Do community theatre. Record yourself. Just get out there and do it and don’t waste a huge portion of your life letting someone else’s outmoded ideas hold you back!!
Congratulations Susie, we are thrilled that you shared this experience with us!